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[jophillo]

Make use of the flash with normal day light for perfect results. Your digital camera may offer a 'reduced flash' setting.
Direct aimed flash on groups of people may give better-looking pictures than direct flash on a single person.
The now-a-days digital cameras allow you to set high ISO speeds e.g. ISO 800 which may help avoid using flash altogether.
Avoid red-eye by turning up light in the place.
If you use your camera’s red-eye reduction setting when taking flash photographs of people you avoid red-eye, but there’s a delay in taking the shot which may cause you to miss the moment


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[jophillo]

Make use of the flash light with natural light for awesome results. Your digital camera may offer a 'synchro flash' setting.
Direct flash on groups of people gives better-looking images than direct flash on a single person.
The newest photo cameras allow you to set high ISO speeds e.g. ISO 800 which may help avoid using flash altogether.
Avoid red-eye by providing more light in the room.
If you use your camera’s red-eye reduction setting when taking flash photographs of people you avoid red-eye, but there’s a delay in taking the shot which may cause you to miss the moment


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[juliahue]

Get the light from the side brings out shapes, textures and structures. Because of this early dusk are good times to photograph.
With the sun behind your object, you get some of the most dramatic visual effects … but exposure could be tricky to get right. Try it anyway!
When the sun is high and the light is hard, don’t fight it to try to get it all. Concentrate on exposing the bright parts properly and work with the shapes of shadows.
For light and shadow effects you need the sun, of course, but colours are often more intense on half-sunny or overcast days.

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[juliahue]

Get the light from the side brings out shapes, textures and structures. Because of this early dusk are best times to photograph.
With the light behind your subject, you get some of the most dramatic visual effects … but exposure could be tricky to get right. Try it anyway!
When the sun is high and the light is hard, don’t fight it to try to get it all. Concentrate on exposing the bright parts properly and work with the shapes of shadows.
For light and shadow effects you need the sun, of course, but colours are often more intense on half-sunny or overcast days.

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[juliahue]

Light from the side brings out shapes, textures and structures. That’s why early evening are good times to photograph.
With the sun behind your object, you get some of the most dramatic visual effects … but exposure could be tricky to get right. Try it anyway!
When the sun is high and the light is hard, don’t fight it to try to get it all. Concentrate on exposing the bright parts properly and work with the shapes of shadows.
For light and shadow effects you need the sun, of course, but colours are often more intense on half-sunny or overcast days.

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[juliaparis]

Don’t be afraid to take portrait photos - that is, with the photo camera on its side.
Use mainly features in the environment to make a frame for your subject or to lead caption through the picture.
Zoom in to compose a sense of intimacy. Leave out from your shots elements like the sun or the sky, which give a feeling of open space.
Experiment with the overal frame. Try framing your pictures with lots of foreground and very little sky, or lots of sky and very little foreground.

A wide-angle lens will keep everything in focus while helping to maximise the ‘depth of field’, or feeling of depth in your shots.
Zooming-in will flatten the sense of perspective and make distant objects appear closer together.
Zooming-in will also affect the amount of your picture that is in focus allowing you to isolate details against an out-of-focus foreground and/or background.
Be careful to avoid camera shake when zoomed right in, as tiny movements in your hands become magnified.

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[juliaparis]

Do not be afraid to take portrait images - that is, with the photo camera on its side.
Use natural Symbols in the environment to create a frame for your subject or to lead the eye through the photo.
Zoom in to create a sense of intimacy. Be aware from your shots elements like the sun or the sky, which give a feeling of open space.
Experiment with framing. Try framing your pictures with lots of foreground and very little sky, or lots of sky and very little foreground.

A wide-angle lens will keep everything in focus while helping to maximise the ‘depth of field’, or feeling of depth in your shots.
Zooming-in will flatten the sense of perspective and make distant objects appear closer together.
Zooming-in will also affect the amount of your picture that is in focus allowing you to isolate details against an out-of-focus foreground and/or background.
Be careful to avoid camera shake when zoomed right in, as tiny movements in your hands become magnified.

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[juliaparis]

Don’t be afraid to take portrait images - if, with the digital camera on its side.
Use mainly objects in the direct environment to make a frame for your subject or to lead caption through the photo.
Zoom in to create a sense of intimacy. Leave out from your shots elements like the sun or the sky, which create a feeling of open space.
Experiment with framing. Try framing your photos with lots of foreground and very little sky, or lots of sky and very little land.

A wide-angle lens will keep everything in focus while helping to maximise the ‘depth of field’, or feeling of depth in your shots.
Zooming-in will flatten the sense of perspective and make distant objects appear closer together.
Zooming-in will also affect the amount of your picture that is in focus allowing you to isolate details against an out-of-focus foreground and/or background.
Be careful to avoid camera shake when zoomed right in, as tiny movements in your hands become magnified.

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[juliaparis]

Do not be afraid to make portrait photographs - if, with the digital camera on its side.
Use only features in the environment to create a frame for your subject or to lead caption through the image.
Zoom in to compose a sense of intimacy. Be aware from your shots elements like the sun or the sky, which give a feeling of open space.
Experiment with framing. Try framing your shots with lots of foreground and very little sky, or lots of sky and very little land.

A wide-angle lens will keep everything in focus while helping to maximise the ‘depth of field’, or feeling of depth in your shots.
Zooming-in will flatten the sense of perspective and make distant objects appear closer together.
Zooming-in will also affect the amount of your picture that is in focus allowing you to isolate details against an out-of-focus foreground and/or background.
Be careful to avoid camera shake when zoomed right in, as tiny movements in your hands become magnified.

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[juliaparis]

Do not be afraid to make portrait images - that is, with the photo camera on its side.
Use primaire objects in the direct environment to create a frame for your subject or to lead the eye through the photo.
Zoom in to make a sense of intimacy. Remove from your shots elements like the sun or the sky, which give a feeling of open space.
Experiment with framing. Try framing your images with lots of foreground and very little sky, or lots of sky and very little land.

A wide-angle lens will keep everything in focus while helping to maximise the ‘depth of field’, or feeling of depth in your shots.
Zooming-in will flatten the sense of perspective and make distant objects appear closer together.
Zooming-in will also affect the amount of your picture that is in focus allowing you to isolate details against an out-of-focus foreground and/or background.
Be careful to avoid camera shake when zoomed right in, as tiny movements in your hands become magnified.

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